Hot Blood: The Fourth Spider Shepherd Thriller (A Dan Shepherd Mystery) Read online

  ‘A brilliant read’

  News of the World

  ‘Authentic stuff’

  Observer

  ‘Stephen Leather’s strongpoint has always been his ability to pitch his novels at a bang-up-to-the-minute level. Hot Blood is no exception. It will provide everything that lovers of contemporary action fiction could ask for.’

  Yorkshire Post

  ‘There’s a new breed of British crime writer giving the genre a much-needed shake-up – Stephen Leather is at the forefront … the sheer impetus of his storytelling is damned hard to resist.’

  Daily Express

  ‘Reading Stephen Leather at leisure is always a pleasure’

  Ireland on Sunday

  ‘Leather is an intelligent thriller writer’

  Daily Mail

  ‘Leather can dispense high-adrenaline plotting but never at the expense of remembering that his characters are humans rather than Action Man dolls … It’s Shepherd’s pungently drawn personality that makes him such a memorable hero’

  Sunday Express

  Also by Stephen Leather

  Pay Off

  The Fireman

  Hungry Ghost

  The Chinaman

  The Vets

  The Long Shot

  The Birthday Girl

  The Double Tap

  The Solitary Man

  The Tunnel Rats

  The Bombmaker

  The Stretch

  Tango One

  The Eyewitness

  Spider Shepherd Thrillers

  Hard Landing

  Soft Target

  Cold Kill

  Dead Men

  Live Fire

  Rough Justice

  Fair Game (July 2011)

  Jack Nightingale Supernatural Thrillers

  Nightfall

  Midnight

  To find out about these and future titles, visit www.stephenleather.com.

  About the author

  Stephen Leather was a journalist for more than ten years on newspapers such as The Times, the Daily Mail and the South China Morning Post in Hong Kong. Before that, he was employed as a biochemist for ICI, shovelled limestone in a quarry, worked as a baker, a petrol pump attendant, a barman, and worked for the Inland Revenue. He began writing full-time in 1992. His bestsellers have been translated into more that ten languages. You can find out more from his website, www.stephenleather.com.

  HOT BLOOD

  Stephen Leather

  HODDER & STOUGHTON

  Copyright © 2007 by Stephen Leather

  The right of Stephen Leather to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

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  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.

  All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

  A CIP catalogue record for this title is available from the British Library

  Epub ISBN 978 1 84456 853 6

  Book ISBN 978 0 340 92169 2

  Hodder & Stoughton Ltd

  A division of Hodder Headline

  338 Euston Road

  London NW1 3BH

  www.hodder.co.uk

  For Katy

  ACKNOWLEDGEMENTS

  I am indebted to James (Jesse) Kibbee, Jr, for his insights into life in Baghdad, and for allowing me access to his journal which he wrote while he was working in Iraq. Linda Park and John Deykin were generous with their time showing me around Dubai. Alistair Cumming and David Southern helped me on police matters and on the mechanics of electronic tracking. Any errors of fact are mine and not theirs.

  Denis O’Donoghue, Barbara Schmeling, Andrew Yates, Alex Bonham and Hazel Orme helped me get the manuscript into shape and Carolyn Mays was, as always, the best editor that a writer could wish for.

  Johnny Lake pulled his legs up against his chest and slowly banged the back of his head against the wall. It was the fourteenth day, and on the fourteenth day they had said he would die. There were six men holding him hostage, but he only knew one of them by name. Kamil. Kamil was the leader of the group. His name meant ‘perfect’. He was the one who spoke to the video camera, in accented English. It was Kamil who waved a Kalashnikov and said that the Americans must leave Iraq and that if they didn’t Johnny would be killed. When he was in front of the camera, Kamil wore black-leather gloves and a black-wool ski mask with holes for his eyes and mouth. His companions wore masks, too, or had scarves tied round their faces. They said nothing whenever the camera was on, other than to chant ‘Allahu Akbar.’ God is great.

  His captors weren’t aware that he knew what they planned to do with him. Johnny hadn’t let on that he spoke Arabic. He had studied the language for two years in Chicago and had spent a year in Dubai, then six months in Kuwait City before moving to Baghdad. He was fluent and could read and write the language, but from the moment he’d been forced into the back of a van at gunpoint he hadn’t said a word of Arabic. At first he figured that being able to eavesdrop on their conversations would give him an edge, but all it had done was to fill him with despair. Fourteen days was the deadline they’d set. Two weeks. Three hundred and thirty-six hours.

  Johnny knew that there was no chance of Kamil’s demands being met. The coalition forces would stay in Iraq until the Iraqis were capable of governing themselves, and that day was a long way off. Kamil wasn’t stupid, and he’d know that, too. The posturing in front of the camera was for effect, nothing more. It was part of a process – a process that would lead to just one thing: Johnny’s death.

  Johnny shivered. He wanted to bang on the door and beg Kamil for his life, but he had begged for the first two days and he knew there was nothing he could say that would change what was going to happen. Johnny had pleaded with Kamil. He’d told him that the stories he filed were always sympathetic to the people of Iraq and that the last two he’d written before his abduction had been about local politicians calling for the early withdrawal of the American troops and their replacement with United Nations peacekeepers.

  Kamil had smiled sympathetically and had assured Johnny that nothing would happen to him and that in due course he’d be released. That was what he had said the first time he’d met Johnny. It had been five days after the abduction, and Johnny had been held at a different location each night, always hooded and always trussed up like a chicken. Kamil had been the first person to talk to him, the first person to treat him like a human being and not a piece of meat. But everything Kamil said to him was a lie.

  Johnny had heard Kamil talking to his colleagues, and he’d understood every word that Kamil had said to the video-camera. Fourteen days. If the coalition forces did not start to withdraw from Iraq by the fourteenth day, it was the will of Allah that Johnny be killed. Fourteen days. And today was the fourteenth day.

  Johnny had asked for a radio and newspapers but Kamil had said that that wasn’t possible. Johnny knew why. The media would report his capture, and the demands of his captors. Kamil had provided him with a paperback book, though. The Da Vinci Code. Johnny had always meant to read it, but had never had the time. Now he had nothing else to do in the basement, but try as he might he couldn’t concentrate on it. Kami
l had brought in a travel chess set and they had played several games. Johnny was a reasonable player but he lost every time. All he could think about was the deadline, the deadline that would end with his death. It was impossible to concentrate on anything else.

  Johnny knew that Kamil’s demands would not be met, but there was another option: money. Cold, hard cash. Johnny’s father had money. A lot of money. J. J. Lake was a property developer in Chicago and Johnny was sure his father would pay whatever ransom was necessary to get him released. It was all about money, Johnny knew. What had happened in Iraq was everything to do with money and virtually nothing to do with religion. If his captors were offered enough money they would release him. J. J. Lake knew people. He’d met Oprah Winfrey, Donald Trump and politicians right across the country. He’d be calling in favours left, right and centre and pulling whatever strings needed pulling. That was the hope Johnny clung to. If anyone could save him, it was his father.

  The newspapers he worked for would be doing their bit, too. So would the rest of the media. Johnny was a journalist and journalists looked after their own. They would put pressure on the government to act. Editorials would be written, questions would be asked, everything the authorities did or didn’t do would be scrutinised. They’d speak to sympathetic Muslims and get them to put pressure on the fundamentalists. Kamil wasn’t stupid. He’d realise there was nothing to be gained by killing Johnny. But if he released him, they’d show the world they could be merciful.

  There were three loud bangs on the door. There was no handle on it, and no lock, just a peephole through which his captors could watch him. ‘Stand by the wall, please, Johnny,’ shouted Kamil.

  Johnny got to his feet and did as he was told. Every time the door was opened, he had to stand by the far wall with his hands outstretched. Johnny knew it was so that he couldn’t catch them by surprise, but he didn’t know why they bothered. His captors had guns and Johnny wasn’t a fighter. They knew that. He was a journalist and hadn’t been in a fight since he’d left elementary school.

  The visit was unexpected. It was early afternoon and he’d been fed two hours earlier. Kamil had brought him a paper plate filled with kubbat burghul, doughy shells of bulgar wheat wrapped round lightly spiced minced meat and onion. He’d shared the meal with Johnny and they’d talked about baseball. Kamil never discussed politics or what was happening in Iraq. Sport, movies and music were pretty much all he talked about. Small-talk. Idle chit-chat to wile away the time until they killed him.

  The door opened. Kamil stood in the doorway with an orange jumpsuit. ‘We need another video,’ said Kamil, walking over to him. ‘We need to show that you are still alive.’ He held out the jumpsuit.

  ‘Okay,’ said Johnny, hesitantly. He lowered his arms but made no attempt to take the jumpsuit.

  ‘Do not worry, Johnny,’ said Kamil. ‘It is a video, nothing more.’

  ‘Has my father been in touch yet?’ asked Johnny.

  Kamil shrugged. ‘I wouldn’t know if he had,’ he said. ‘We don’t talk to anybody.’

  ‘But if he’s trying to pay a ransom, how will they tell you?’

  ‘We’ll be told,’ said Kamil. He gestured at the jumpsuit. ‘Put it on, please.’

  ‘I don’t understand why I have to wear it.’

  ‘It shows we’re serious,’ said Kamil, patiently. ‘It’s theatre, Johnny. If they see you playing chess and smiling at the camera, no one is going to think you are really in danger.’ He pushed the jumpsuit gently against Johnny’s chest.

  ‘Am I?’ asked Johnny, quietly. ‘Am I in danger?’ He took the jumpsuit. It was the third time he’d been given it to wear. It was for effect, Kamil had said. He only had to put it on when they were making a video. The rest of the time he was free to wear his own clothes, although they had taken away his belt and shoes.

  Kamil smiled. A big, easy smile. ‘You are a journalist. There’s no value in killing a journalist.’

  ‘Kamil, please, don’t kill me.’

  ‘Johnny, we’re not going to kill you. I swear. Now put on the jumpsuit.’

  Johnny knew that Kamil was lying. He’d interviewed enough politicians and journalists to know when he was being lied to. And Kamil was lying.

  ‘Please, Kamil,’ said Johnny. ‘You don’t have to do this.’

  ‘It’s a video,’ said Kamil, avoiding Johnny’s eye. ‘Just a video.’ He turned away and spoke to his two companions. They nodded and pulled ski masks over their faces so that only their eyes were uncovered.

  Johnny felt as if all the strength had drained from his limbs. He looked at the door. The only way out. But there were three of them and it was only in the movies that one man could outfight three. He felt tears sting his eyes and blinked them away. He took deep breaths, trying to quell the panic that was threatening to overwhelm him. He wanted to cry, to scream, to beg, to do whatever it took to save his life, but he knew there was nothing he could do.

  He held the shoulders of the jumpsuit and put in his right leg, then the left. He straightened and pulled the overalls up to his waist. He didn’t want to die in the basement. It had been days since he’d smelled fresh air, or seen the sky, or heard birdsong. He wanted to see his parents, his brother, his friends.

  He felt as if he was going to pass out and sat down on the wooden chair. Kamil appeared in front of him, holding a plastic bottle of water. ‘Here,’ he said.

  ‘Thank you,’ said Johnny. He unscrewed the blue plastic cap and raised the bottle to his lips. He drank slowly, wanting to extend the moment into infinity. So long as he was drinking, he was alive. He swallowed, and continued to drink.

  Kamil held out his hand for the bottle. Johnny gave it to him, then wiped his mouth on the back of his hand. He wriggled his arms into the jumpsuit and pulled up the zipper.

  ‘Good,’ said Kamil. He patted Johnny’s shoulder. ‘Stand up, please, and move in front of the banner.’

  Johnny did as he was told. He knew the significance of the jumpsuit. It was identical to those the Americans forced the detainees to wear in Guantánamo Bay. It was a statement. That the hostages in Iraq were retribution for what was going on in Cuba. He stood in front of the banner. The two men with ski masks had taken position at either side of it, arms folded across their chests.

  ‘Hands behind your back, please, Johnny,’ said Kamil.

  Johnny did as he was told. They had bound his hands behind his back the last time they had videoed him, but he knew that this time was different. He swallowed and almost gagged. His mouth had dried again.

  Kamil used a plastic tie to bind his wrists. It cut into his flesh but Johnny didn’t protest.

  Kamil helped Johnny into a kneeling position, then patted his shoulder again. He walked over to the video-camera and checked the fitting that attached it to the tripod. Then he bent down and peered through the viewfinder. The door opened and four men filed in, wearing khaki jumpsuits and ski masks. Two were carrying AK-47s. The last to walk into the room closed the door and stood with his back to it.

  Kamil straightened up. He smiled and nodded at Johnny. Johnny tried to smile back but knew he looked terrified. His knees were hurting and the plastic tie bit into his wrists.

  Kamil walked round the tripod, pulling a ski mask out of his pocket.

  Johnny closed his eyes and took a deep breath. He began reciting the Lord’s Prayer in his head, not wanting to offend the men in the room by speaking it aloud: Our Father, who art in heaven …

  Johnny opened his eyes. Kamil pulled on the ski mask. He motioned for the men to gather in front of the banner.

  Hallowed be thy name … Johnny bit down on his lower lip. Maybe they really were just making another video outlining their demands. Maybe there’d just be threats and gestures and then they’d switch off the camera, he’d take off the jumpsuit and go back to reading The Da Vinci Code and playing chess with Kamil. Part of him desperately wanted to believe it, but it was the fourteenth day and on the fourteenth day they’d said he would die.
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  Thy kingdom come, thy will be done …

  Kamil began to speak to the camera in Arabic, waving his hand. In all the time they’d spent in the basement, he had been soft-spoken and polite, but he became a different person with the ski mask on and the camera running. His voice had a hard edge, and every now and again spittle would spray from his lips. He pointed at the banner, and at the men behind him, and then he pointed at Johnny. He screamed in Arabic that it was Bush’s fault that Johnny was going to die, his voice loaded with venom and hatred.

  The Lord’s Prayer continued to loop through Johnny’s mind, faster and faster. Forgive us our trespasses, as we forgive those who trespass against us … He focused on the words, taking refuge in the repetition, trying to blot out where he was and what was happening.

  Kamil turned to face the camera and continued to rant. The men standing in front of the banner were chanting: ‘Allahu Akbar.’ God is great.

  Johnny began to breathe faster. He concentrated on the Lord’s Prayer, using the words to blot out everything else from his mind. Lead us not into temptation …

  The men moved towards Johnny. ‘Allahu Akbar, Allahu Akbar, Allahu Akbar.’ They moved like zombies, their eyes wide and unseeing, their hands at their sides.

  Johnny tried to get to his feet but his calves cramped and he fell on his side. He coughed as he breathed in dust from the floor. The sandals of the men walking towards him made a swishing sound as they shuffled nearer. It was all over, he knew. Tears sprang to his eyes at the unfairness of it all. He had never harmed them – he had never hurt anyone. He was just a journalist, in Iraq to report on what was happening there. Almost without exception the articles he wrote were against the American-led occupation of the country. Our Father, who art in heaven … Killing him wouldn’t end the war one day sooner. Nothing would change, it made no sense at all. Hallowed be thy name …

  His eyes misted. He tried to lift himself off the ground but the strength had gone from his limbs. He rolled on to his back, gasping for breath. Five pairs of uncaring eyes stared down at him. ‘Allahu Akbar, Allahu Akbar, Allahu Akbar.’

  A sixth ski mask appeared. It was Kamil. There was no recognition in his eyes: he wore the blank stare of the other five men. He was muttering, too: ‘Allahu Akbar.’ God is great. There was something in Kamil’s hand. Something that glittered under the fluorescent lights. A knife.